Peak Headroom is crucial for mastering because again, LANDR uses the space you leave to apply all of its mastering adjustments. The next thing to consider is Peak Headroom. This is the best way to figure out how you like to master. So if you prefer mixing hot - go for it! But we encourage you to experiment with your mix and see the different results you can get with LANDR. We’ll never tell you that there’s only one way to mix - this just isn’t true. So adding some compression on individual tracks and busses is fine, as long as it isn’t working too hard and squishing your track!
But it often sounds better to add small amounts of compression at different stages in the mixing process than adding more at the end. Controlling your dynamics using compression can contribute to a better master. You can definitely have plugins on your master bus, just not ones that are there strictly to push your mix to the limit!Ĭompressors are often a vital tool used to control dynamics - which we totally encourage. limiters and compressors) to your master channel for the sake of loudness. LANDR uses those dynamics you leave, so we recommend not adding any dynamic plugins that are typically used during the mastering process (i.e. If you like mixing loud, no worries - just turn your monitors up! We get it, using compression and limiting at the master or stereo output of your mix adds loudness and intensity, and you want your mix to be BIG! - but if you’re planning on using LANDR for that final touch - LANDR will take care of this for you. The main culprit behind mixes with low dynamic range is heavy compression or limiting. Mastering involves compression techniques that use this space in order to add intensity, presence and glue your mix together - if the dynamic range is already gone - there’s not much LANDR can do on that front. You can also think about dynamics on a more micro scale-as the difference in level or intensity between the sounds in your track. When it comes to dynamics, there’s a couple things to keep in mind when preparing your mix for LANDR.Ī dynamic track has a range of material that is relatively quiet to loud. They have to do with dynamics and peak headroom. We don’t want you to feel too restricted when you mix, so there’s only a couple of things we recommend to get the best possible results from the mastering engine.
We appreciate that mixing is a personal thing and everyone has their own style. We recently released a new engine called Synapse that's vastly improved the sound of LANDR. Our system is built around an adaptive engine that ‘listens’ and reacts to music, using micro-genre detection to make subtle frame-by-frame adjustments using tools like multi-band compression, EQ, stereo enhancement, limiting and harmonic saturation, based on the unique properties of your song.īasically, the more you throw at LANDR, the better it gets.
#LANDR MASTERING SOFTWARE#
LANDR’s mastering software is smart and getting smarter. LANDR lets you integrate mastering seamlessly into your creative process.
#LANDR MASTERING FULL#
This opens up a world of possibilities for producers: LANDR your demos before sharing them, drop in full length DJ mixes or live recordings, make a track on the road and have it mastered in time for your gig the same night.
#LANDR MASTERING PROFESSIONAL#
LANDR has changed the mastering process with drag-and-drop simplicity, giving results that rival professional studio work in minutes. It uses machine learning (think self-driving cars and Shazam) to replicate the processes human engineers make when mastering a track. LANDR’s automated mastering engine was developed over 8+ years of research.
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